Leon spilliaert painting

But this sense of otherness, of a fractured self, is also there in the gilt mirror behind him, which registers his shadow as little more than a faint stain behind his shoulder, so ghostly has he become to himself. Experimenting with perspective, Spilliaert obscured his hometown and used it as an ongoing source of inspiration.

Spilliaert sought to escape their soporific, stifling influence by tramping them at night, in the bleakest of conditions. Enjoyed this article? The time of the undead.

Léon spilliaert book

This is a universe permeated by death, as is particularly apparent in the bedroom with its shroud-like white bed. Maurice Denis was a French Symbolist painter, known as a prominent member of the Nabis. Spilliaert's expressive use of black finds parallels in the work of Odilon Redon , who was a significant influence. Much as with his depictions of waiting women, his self-portraits also serve as an introspective gateway to his desire to achieve more, internal suffering, and prevalent solitude.

And by traversing the endless, elemental beach on foot. Thank you for your help! Contents move to sidebar hide. At other times, by contrast, he positions himself in a much larger space—the creative space—often rendered oppressive by an interplay of interlocking frames and repeated straight lines which imprison him like a cage. Here is the highly introverted but bohemian individual whom Spilliaert evoked in an autobiographical note for the catalogue of the Venice Biennale, observing that "among my contemporaries I was an object of astonishment and scandal".

It began as a literary movement but quickly moved into other art forms. The ghost of himself. Anthony Christianity has brought many popular topics to art over the centuries, yet the interpretation of a religious motif can drastically change depending As if the frame could continue when you turn away. Guest Profile 11 September These dark figures are often seen from behind, scanning the sea from the wharves, silhouetted against the water.

In the period —, Spilliaert concentrated on creating complex, profound self-portraits of an introspective nature. Subsequently, he did not return to formal art education and taught himself. In he married Rachel Vergison. Categories : births deaths 20th-century Belgian painters Belgian Symbolist painters Belgian graphic designers Artists from Ostend.

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Leon spilliaert prints

Proofreader Diane Won. Light and solitude. A great friendship quickly developed between the two men. Photographic portrait of Spilliaert, taken between and